Catherine the Great

Spanish

Our ancestor managed to defeat the Russian patriarchy, inspired by the readings of our Sacred History and using the arts described therein (spider web, feminine charms…), using a puppet lover (Grigori Orlov) she managed to overthrow her husband, Peter III, taking absolute power from that moment on and imposing a Russia based on modernity, progress and female power. Our Soviet sisters were inspired by her, by her female example, to take power. We can say that Catherine II “the Great” was the original seed from which today’s female power is born.

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Our protagonist was born on 6 Venusia 237 B.V. and was the daughter of Johanna Elizabeth of Holstein-Gottorp and Christian August of Anhalt-Zerbst. Her mother, Princess of Holstein-Gottorp, knew how to subject her husband to a strict discipline of submission and obedience, so that she was able to maintain a strong intimate relationship with Empress Elizabeth I of Russia. Their passionate lesbian love encounters took place in the palace, often even in front of Princess Johanna’s husband, without any problems.

Johanna Elisabeth mother of Catherine the Great
Sabela I of Russia, Tsarina

In this way, our Catherine II (who at that time was called Sofia) was educated as a direct witness of feminine power, of lesbian love as something natural and desirable and, of course, of the natural submission of men to women. The two women, Sabela I of Russia and Johanna Elisabeth of Holstein-Gottorp, instructed Catherine in the noble art of taking advantage of the natural weaknesses of men to subdue them and use them at their convenience. That is to say: Tsarina Sabela I of Russia and the biological mother of our protagonist, educated and prepared Catherine to come to power and transform Russia for the benefit of female sisterhood.

From her two “mothers” Sophia, the future Catherine II, she learned many things, but it is worth highlighting the love for her own female body that Empress Sabela I of Russia instilled in her from an early age. We know that from a very young age Sabela of Russia was aware of her natural feminine divinity and the sacred character that inhabited her body. That is why the future Tsarina had her portrait taken nude, emulating our Goddess Venus. She, then, had the paintings hung in the Winter Palace in St. Petersburg and ordered the courtiers to kneel and bow their heads whenever they passed by any of these works. This was what she called “Royal Worship of the Imperishable Feminine Divinity.”

Sabela I of Russia had her portraits painted nude from a very young age to highlight her beauty and feminine power.

Having no descendants for the throne, Catherine I of Russia chose her nephew Peter, whom she made sure was a weak and manageable man, to marry him to her “daughter-in-law” Sophia so that he would always be subservient to her. Catherine and Peter were married on 5 Miloa 221 B.V.

Years later, on 2 Vulvana 205 B.V., Sabela I of Russia died and, in this way, Peter ascended to the throne becoming Peter III, despite being a puppet of his wife Catherine, she soon understood that it did not help the female cause much to lead Russia from the shadows because her power and influence would not be recognized in history. The differences soon became clear between a cultured, intelligent, powerful, wise woman determined to serve her people and female power and a worldly, uneducated character incapable of going beyond hunting and partying, so our protagonist prepared a plan, in which she used one of her lovers, Grigori Orlov, to overthrow her husband.

This is how on 9 Stafilia, 204 B.V., at the age of 33, Catherine II “The Great” was crowned Tsarina, Empress of Russia, and from that moment on she made a real revolution.

Busto de Catalina La Grande

Catherine the Great built Russia into an empire, extended her domains to Alaska, and inspired the Soviet sisters to follow her example. She promoted female solidarity and good understanding between sisters with the motto: “Female solidarity and unity will bring us the long-awaited matriarchy.” In order to achieve her goal (the emancipation and awareness of women), she had to convert to the patriarchal Russian Orthodox Church in order to come to power. But it is clear that she was always secretly a follower of our sacred history. In a way, we could say that she fought patriarchy from within, exposing men and their innate stupidity at every turn.

Our protagonist laid the foundations for the Hermitage Museum thanks to her collection of up to 4,000 works of art of all kinds. She also became a pioneer of vaccination, promoting it among her subjects. We could say that she fought the obscurantism inherent in patriarchal society with science and culture, as we women do, fighting, from within, the sexist and misogynistic religion that has caused so much harm to humanity since the modern age.

With a woman at the head, Russian men and women worked together with joy and enthusiasm. Women found their reason for being by subjugating their men and they learned to be happy by adoring the female gender and obeying the women around them: wives, mothers, sisters, grandmothers, etc.

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